【托妮·莫里森的宠儿(布鲁姆的现代批判诠释)-第二编辑】.pdf


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Bloom’s Modern Critical Interpretations
The Adventures of The Grapes of Wrath Portnoy’plaint
Huckleberry Finn Great Expectations A Portrait of the Artist
The Age of Innocence The Great Gatsby as a Young Man
Alice’s Adventures in Gulliver’s Travels Pride and Prejudice
Wonderland The Handmaid’s Tale Ragtime
All Quiet on the Heart of Darkness The Red Badge of
Western Front I Know Why the Courage
As You Like It Caged Bird Sings The Rime of the
The Ballad of the Sad The Iliad Ancient Mariner
Café Jane Eyre The Rubáiyát of Omar
Beowulf The Joy Luck Club Khayyám
Black Boy The Jungle The Scarlet Letter
The Bluest Eye Lord of the Flies Silas Marner
The Canterbury Tales The Lord of the Rings Song of Solomon
Cat on a Hot Tin Love in the Time of The Sound and the
Roof Cholera Fury
The Catcher in the The Man Without The Stranger
Rye Qualities A Streetcar Named
Catch-22 The Metamorphosis Desire
The Chronicles of Miss Lonelyhearts Sula
Narnia Moby-Dick The Tale of Genji
The Color Purple My Ántonia A Tale of Two Cities
Crime and Native Son The Tempest
Punishment Night Their Eyes Were
The Crucible 1984 Watching God
Darkness at Noon The Odyssey Things Fall Apart
Death of a Salesman Oedipus Rex To Kill a Mockingbird
The Death of Artemio The Old Man and the Ulysses
Cruz Sea Waiting for Godot
Don Quixote On the Road The Waste Land
Emerson’s Essays One Flew Over the White Noise
Emma Cuckoo’s Nest Wuthering Heights
Fahrenheit 451 One Hundred Years of Young Goodman
A Farewell to Arms Solitude Brown
Frankenstein Persuasion
Bloom’s Modern Critical Interpretations
Toni Morrison’s
Beloved
New Edition
Edited and with an introduction by
Harold Bloom
Sterling Professor of the Humanities
Yale University
Bloom’s Modern Critical Interpretations:
Toni Morrison’s Beloved—New Edition
Copyright © 2009 by Infobase Publishing
Introduction © 2009 by Harold Bloom
All rights reserved. No part of this publication may be reproduced or

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  • 时间2018-01-18