《横切五声图》音系研究-汉语言文字学专业毕业论文.docx

福建师范大学学位论文使用授权声明
福建师范大学学位论文使用授权声明
本人 趔董壹学号垒QQ互墨垒鱼专业..(论文题目:<横切五声图》音系研究)是我个人在导师指导下进行的研究工作及取得的研究成果。尽我所知,除了文中特别加以标注和致谢的地方外,论文中不包含其他人已经发表或撰写过的研究成果。本人了解福建师范大学有关保留、使用学位论文的规定,即:学校有权保留送交的学位论文并允许论文被查阅和借阅;学校可以公布论文的全部或部分内容;学校可以采用影印、缩印或其他复制手段保存论文。(保密的论文在解密后应遵守此规定)
学位论文作者签名三崆指导教师签名
签名日期 》D孚、8 S
摘 要
摘要
《横切五声图》成书于“道光二十三年岁在癸卵仲冬月’’,即公元1843年夏历 11月。作者崇凤威,自署厶长白人",史志无传。作者认为这部韵图兼列“五方之音"。从韵图上来看,它的音系也极其复杂。一方面,它在声、韵、调等诸方面与《书文音义便考私编》、《韵法横图瓢《韵法直图》、《平水韵》、《切韵声原》i《音韵阐微》和《李氏音鉴》等前代韵书韵图存在着错综复杂的传承关系;另一方面,它又与同一时期的其他韵书韵图在正音观念上惊人地相似。因此,很值得我们深入探讨。本文便对《横切五声图》的音系做一个比较系统的研究。在历史比较法和***分离法总的方法指导下,从历时和共时两个角度;比较它与相关韵书韵图及时音、方音的关系,从中***梳理出它的语音系统,尝试探讨它的语音基础和音系性质以及它在汉语语音史上的地位。全文共分五个部分。
关键词 《横切五声图》 韵母声母声调
福建师范大学硕士学位论文
Abstract
Heng Oie Wu Sheng Tu was written in the midwinter of GuiMao,the 23th year when emperor DaoGuang was on the throne,in other words,it was in the November of ,by Chong FengWei,a man with no history but who said he came from Changbai writer insisted that it included all the countrywide rhythmi c graphs al SO show US a very intricate ic the one hand,there are involute relations essionally in Initials,finalS and tones between the book and Su Wen Yin Yi Bian Kao Si Bian,Yun Fa Heng Tu,Yun Fa Zhi Tu,PingShui Yun,Qie Yun Sheng Yuan,Yin Yun Chan Wei and LiShi Yin the other hand,the normative ideas between it and other synchronous rhythmic dictionaries or graphs are almost just the it deserves our probing in the thesiS presents paratively systematic study on Heng Qie Wu Sheng paring i t with the correlative rhythmic dictionaries or graphs,the synchronous sound and dialects from angles,diachronic and synchronous,to find its ic system under the whole direction of the historical parative argument and looking—through and separating method,and then try to recognize what the sound elements is,what ic system it represents and its station in the history of whole thesiS posed of five
chapters.
Keywords z