REWRITING THE SELF The fundamental issue of identity has been endlessly explored by philosophers, poets, priests, psychologists, and men and women generally. Whilst the question has stayed the same, the answers offered have changed over time. This book examines changing notions of selfhood from a historical perspective. The overarching perception of Rewriting the Self is that the received version of the ‘ascent of Western man’ needs to be rethought in the light of the critical cultural analyses of today. Rereadings are offered of classic texts like those of Descartes, but wider perspectives are also presented. These assess the discursive construction of the self in the light of political, technological and social changes. The range of the book is large, both in the number of models of personal identity discussed and the differing viewpoints from which they are examined: the eye/I is perpetually contested. Chronologically the book spans from Petrarch to the present, taking in the Renaissance, Enlightenment, Romanticism, Modernism and Postmodernism. Rewriting the Self arises from a seminar series held at the Institute of Contemporary Arts in London. The accessibility and freshness of these presentations has been preserved in the contributions to this book. Rewriting the Self represents a ing together of leading academics from different fields, and offers a stimulating and controversial account of the meanings and histories of identity and the self. REWRITING THE SELF Histories from the Renaissance to the Present Edited by Roy Porter London and New York First published 1997 by Routledge 11 New Fetter Lane, London EC4P 4EE
This edition published in the Taylor & Francis e-Library, 2002.
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