浅谈古典诗词鉴赏中的虚和实(On the deficiency and reality in the appreciation of classical poetry)
On the deficiency and reality in the appreciation of classical poetry
April 20, 2008
The theory of deficiency and excess was originally a pair of philosophical categories, but it was widely used in our artistic creation and artistic criticism. In his essay "the reality and the reality of Chinese artistic expression", Mr. Zong Baihua made a deep exploration of the imaginary and reality in Chinese art forms such as drama, painting, calligraphy, architecture, seal and dance. In Chinese classical literature, especially classical poetry, there is a lot bination of "empty" and "real". The actual situation in classical poetry has something mon with that of other visual and auditory art forms, but there are many different places.
First, the relation between the actual situation in the classical poetry and the blank art in the painting art
Blank manipulation is mon expression in Chinese traditional painting. Such as Badashanren painting fish, Qi Baishi painting shrimp, no other paper, but we can feel eyeful of green waves, the picture is vacant but have the charm. This is the use of "blank" approach, the artist through the picture of the image of the audience, to fully mobilize the imagination of the viewer, to reproduce the beautiful realm of art. This is the phenomenon of Chinese classical poems, such as Jia Dao's "seeking hermits": "the boy asked Panasonic, doctor to say. Only in this mountain, cloud deep unknown." The real writer and boy's dialogue, while the poet "ask" the contents omitted, the hermit is what didn't introduce. But we can add it by imagination. This kind of "empty writing" can also be called "blank art" in poetry. Concise and classical poetry, Chinese language, rich meanings, many poems have used the blank art, especially in the drawing technique narration poem is so much. Combination of deficiency and excess, so as to achieve the effect of virtual and sthenia.
Two
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