妙在似与不似.doc

目录中文摘要··················································2英文摘要··················································2前言······················································31齐白石生平简介··········································32“似与不似”美学思想的古今传承···························33齐白石与“似与不似”·····································“似与不似”美学思想的发展··························“似与不似”的辩证统一····································“似与不似”的美学抉择····································54齐白石艺术美学思想的当代启示····························、发展·············································································································································································6结论······················································7参考文献··················································8致谢······················································9摘要:“妙在似与不似之间”是指当人们在绘画时以不似之似做到表达所画事物的精神实质,这是齐白石对艺术的独特认识。在齐白石的艺术思想世界里面,他主张形神兼备的刻画事物,对只重形或只重神都不以为意。他认为写生是绘画的基础,十分注重写生,绘画作品形神具备就为好的作品。在形和神的观点上,齐白石系统地地阐释了中国画史变化的经验教训,提出了符合大众审美规律的观点。“似与不似”也是齐白石绘画生命中一直在追求的真谛,本论文将试图从齐白石的本身出发,注意他绘画风格和精神实质的探索,并把握齐白石艺术领域深处的美学思想,在欣赏他的艺术作品的同时去探索远在绘画作品之外的精神世界,并不断探索齐白石艺术美学思想对现当代美术领域发展的影响与意义。关键词:齐白石;“似与不似”;美学思想;研究Abstract:"Wonderfulinbelikeanddonotbelikebetween"meanswhenpeopleinthepaintingwithunlikenesslikedoexpresshadpaintedessenceofthings,thisisthefamousChinesemasterofdeepunderstandin