新疆克孜尔民间故事《千泪泉》动画艺术短片美术风格设计（艺术）.pdf

新疆师范大学
硕士学位论文
新疆克孜尔民间故事《千泪泉》动画艺术短片美术风格设计
姓名:刘人果
申请学位级别:硕士
专业:美术学
指导教师:杨晓康
2011-04-10
中文摘要
中文摘要
进入崭新的 21 世纪,这些年来我国大力发展动漫产业,虽然取得了长足的
进步和发展,但是国产动画的民族原创性一直是动画发展面临的一个问题。近
年来,动画教育更多重视对学生制作动画的技术、技巧和方法的培养和训练,
在这方面的相关书籍、杂志和学术论文也相当的繁多。大量模仿和学****国外的
动画制作先进理念和技术,忽略了对本民族动画创作进行的创新和探索。
伴随着动画产业的快速发展,它的内涵也变的越来越丰富,我们所关注到
的商业动画依然占据着动画主流表现形式,但富有个性与探索精神的动画艺术
短片同样是动画不可缺少的一种表现形式。它更多的是个人发挥创造性,在画
面上有着强烈的个人影像风格,在内容上具有独特的构思,还表现在对画面表
现形式和动画制作手段的探索和创新。
中国民族民间文学在艺术内容上丰富多彩,所以我选择了新疆古丝绸之路
民族民间童话故事《千泪泉》作为我的故事脚本,结合动画艺术短片中的美术
风格设计进一步创作和研究民族化的艺术创作表现方法。论文从《千泪泉》动
画艺术短片中的美术风格设计作为切入点体验、分析和探索新疆地域民族艺术
动画短片的创作,从中研究如何利用新疆文化资源发挥民族原创精神。
关键词:千泪泉;民族原创性;动画美术风格设计
I
Abstract
Abstract
Enter new 21st century, these years vigorous development of animation industry,
which has made great progress and development, but domestic animation national
originality is always a problem with animation. In recent years, the animation
education much importance to students' making animation techniques, skills and
methods of the training, the related books, magazines and academic thesis also
considerable variety. A lot of imitation and learn foreign advanced concepts of the
animation and technology, ignore our national animation for innovation and
exploration.
Along with the rapid development of animation, its connotation has e
more and more rich, we are concerned mercial animation still occupied the
animation mainstream forms, but rich individual character and explore spiritual art
of animation clips is also animation indispensable a form of expression. It is more
creative; Have a strong personal image style, the unique idea in content, but also in
terms of the manifestation of pursuit and picture at the animation technology of
exploration and innovation.
China folk literature art content is very colorful, so I chose xinjiang ancient silk
road national folk fairy tale "a thousand" as my story leiquan script, combined with
the art of animation clip art style de