晚明隶书研究（艺术）.pdf

分类号: 密级:
UDC: 学号:TM0903037



硕士学位论文

晚明隶书研究



研究生姓名: 胡博傑
导师姓名: 薛龍春教授

申请学位级别硕士学科专业名称美术学
论文提交日期 2012 年月日论文答辩日期 2012 年 5 月 3 日
学位授予单位南京艺术学院学位授予日期 2012 年月日
答辩委员会主席评阅人

2012 年 5 月 10 日
摘要





摘要
清代隶书一直是书法史研究的重点,但清代隶书的振兴不是骤然爆发,而是深深筑基于
晚明隶书。然而因为材料的限制,晚明隶书至今没有得到充分的研究。本文首先对晚明时期
吴门与陕西两个重要区域的隶书活动进行探讨,指出吴门隶书兴盛与篆刻及文字学传统有
关,而陕西隶书崛起则受益于当地的访碑活动。本文继而以天启二年进士群中擅隶书的书家
为中心,从艺术交往的角度,钩稽他们与这两地之间的人脉关系。因为这一群体的存在,汉
碑与隶书逐渐发展为全国性的艺术旨趣。在阐明晚明隶书的整体格局之后,本文对于晚明隶
书过渡性的特点及其影响清初隶书的脉络进行了重点关注,指出晚明隶书在用笔、结字与样
式诸方面兼有明中叶及清初的一些特点,实为清初隶书振兴的一个重要准备阶段,而对清初
隶书家与晚明隶书家之间承传脉络的清理,则更进一步支撑了上述的观点。

关键词:晚明隶书吴门陕西访碑活动天启二年进士清初隶书

I
Abstract


Abstract
Chancery in Qing dynasty is the focus point of calligraphy history study for a long
period. However, the sudden rise of Chancery script in Qing dynasty was not an
accidental incident but deeply based on the Chancery script of late Ming dynasty. Yet,
because the limitation of documents and other materials, the study of Chancery script of
late Ming dynasty has not been fully developed. The primary objective of this thesis is the
discussion about the calligraphy’s inter-activities in late Ming dynasty at “Wu Men” and
Shanxi province. Point out that the thrive of Chancery script at “Wu School” is related to
the tradition of seal cutting and philology, and also being benefited by the stela visiting
activities of Shanxi province. Secondly, this thesis use the calligrapher who is skilled in
Chancery script among the “Jin Shi” in 1662 as a center to draw an outline of the
relationship between them and the two areas from the angle of Art association. Through
the hardworking of these people Stela of Han dynasty and Chancery script gradually
transformed into a nationwide artistic delight. After given an integral pattern of Chancery
script of late Ming dynasty this thesis shift its concerns to the transitivity characteristic of
Chancery script in late Ming dynasty and the influen