现代艺术展览模式转型的策展人身份作用初谈.doc

页眉...页脚现代艺术展览模式的转型及策展人身份的作用初谈梁志钦页眉...页脚摘要展览作为一种特殊的传播途径。它在文化传播中占据着弥足珍贵的地位。它既是作品走向社会的关键,也是艺术发展里程的社会印记。尤其艺术发展到被“文本”充斥的今天,艺术需要专业人士阐述、解读,展览更需要特别的理论统筹、梳理才能彰显其价值。展览不再只是“摆”和“看”,而是“摆”、“看”、“听”、“思考”等等多元结合。正由于这样的发展,一种新兴的职业——策展人在艺术展览中慢慢演变成了艺术的“先知”。正是因为“文本”对艺术与展览的介入,使得人们对艺术现状无不感到困惑或不安,且焦虑策展人与文本何以横行无忌的直入当代艺术之中,所以,对策展人与文本在当代艺术中的身份问题的梳理显得尤其紧迫。笔者试图通过梳理展览以及美术展览的产生与发展,研究探讨从展览中诞生的策展人在其展览自身的意义与作用。关键词:展览;美术展览;展览形式;策展人;艺术家;观念;页眉...页脚目录摘要························································································I目录························································································II导言························································································1研究目的·················································································1研究现状·················································································3研究内容·················································································9研究方法及观点········································································9第一章:关于展览···········································································11第一节、展览的概念········································································11第二节、展览的起源········································································12第三节、展览场地···········································································14第四节、美术展览的兴起··································································15第五节、国内(大陆)早期艺术展览组织模式·······································16本章小结·······················································································18第二章:关于策展人········································································19第一节、策展人的兴起·····································································19国外························································································19国内(大陆)··············································································20第二节、策展人的工作与责任·················································