'..:[A],accordingtothetext,paredwithotherwritingsthatwerealsoexperimentalandrevolutionaryinhistory,onlinewritingsarenotonlylargeinquantity,butgoodinqualityaswell.[F]Thelowbarrierstoentryoftheonlineworldmakesitpossibleformanysecond-ratewritingstoreachthousandsofreaders.[T]Whenengagedinonlinewriting,ewithoutcateringtothefashionofthenewmedium.[F]writingarefromdifferentwalksoflife.[T],5,6,and8,-paredtothewritingsinhistorythatwereexperimentalandflexibleinnature:JonCarroll,acolumnistattheSanFranciscoChronicle;PatrickNielsenHayden,aneditoratTorBooks;DavidSewell,anassociateeditorattheUniversityofArizonaInParagraphs5and6,: GerardVanderLeun,literaryagentbasedinWestport,Connecticut; MaryAnneMohanraj,aChicago-,writing: JornBarger,asoftwaredesignerinChicago; CrawfordKilian,awritingteacheratCapilanoCollegeinVancouver,(s))Whichmakeswhat’worksallthemorestartling.àsurprising2).JustwhenthemediaofMcLuhanweresupposedtorenderobsoletethemediumofShakespeare,theonlineworldisexperiencingthegreatestboominletterwritingsincethe18thcentury.àoutofdate;expansion3).DavidSewell,anassociateeditorattheUniversityofArizona,writingtotheliterarysceneMarkTwaindiscoveredinSanFranciscointhe1860s.àcompares...to4).Foritcanbeverybadindeed:sloppy,meandering,puerile,ungrammatical,poorlyspelled,badlystructuredandattimesvirtuallycontentfree.àcareless;winding/pointless;childish/silly5).GerardVanderLeun....eknownas;themostimportant/sup
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