论画面黑白形式构成.pdf

1, , 摘要善奕者谋势,不善奕者谋子。黑与白在画面占据空间的力就如棋局,有无相生,虚实对比,冲突转换,渗化集整,律动闪烁??是一种能量的联结而创造出来的视觉力动。画面的黑白并非仅随光舞蹈,显露物体逼真的幻觉,而是随心律动,笔酣墨游,自由组织,写出画面的骨格,气势与格调,甚至画者的性灵,以黑白两色去实现艺术的最高境界。黑与白形态力之间如何彼此界定,相互抵触,互为牵制而形成具有力动品格的画面大结构,大关系?黑与自如何统筹安排,整体谐调,有机组合成“简约合宜"的整体?这个整体又如何表达情感,格调与氛围?本文试图以图解作为分析的本源,从视觉动力学原理和审美心理学角度探寻画面黑白形式构成规律及黑白形式的精神性内蕴。关键词:黑, 白, 空间, 张力, 形式构成^. AbStract Chess masters thlnk oVer thegeneral chess while those aren’tgood atitonly look atmeindiVidualchessman When playing planaur space iIl thepainting is azoetic“fieId”,in which any visualandplastic elements willscrabbleformeirown orbit as soon e spaciaIpower which blackandwhitet呵to occupy in thefieldisjust“ke playing chess. 砧l ofthese,including d印endence beMeen ens aIld naught,con仃?ast between Voidandso“d,connictsshiRing,infil仃ation and conformity,rhythm coruscating and etc,are al(ind ofvisualinnervation produced by bination aIld wh“e inthepicture are not dancing wim theli曲t so as to reveal theobject’s breathing hallucination butmoving with therhythm style of drawing is smooth aIldflexible汕lack aIldWhite anised骶ely so mey reVeaI the pictoriaI style,spirit and taste, eVen the painter’s painter can rely on the two colours torealize the highest anistic isitdefined,collided andres仃ictedbe觚een white aIldblackformal power informing me pictorial Vigour stmcture aIldrelation?How isitplanned aIldharmonized as a whole, bined o略anically tobe asimple and fitwhole between blackand white?And how doesthe whole show feelings,pattem andatmosphere? ThetIlesis ist哕ing toexplore thelaw ofme pictorialfomal coInposition be觚een black andwhite and thespiritual coIulotation of thefom on the basisofgraphicanalysis andfrom theprinciple ofvisualdynamics and theangle ofaestlleticpsychology. Key words:black white space tension position _ 工论画面的黑向形式构成第一章绪论“一块白墙也是美的”。导师与我第一次谈话,说出这个观点。冥思苦想。一块白墙何言有美?如果美,还要画画做什么?索性都挂上整个整个的白,把观众白得晕呼呼的好了! 一块白墙静静地立在那里,从某种意义上说蕴含着一种单纯的力,她虚静以待,充满无限的可能性。~块白墙就是一个绘画的二向度空间