中国水墨山水画皴法及地质地貌结构的关系的分析研究.pdf

摘要中国水墨山水画皴法与地质地貌结构的关系研究美术学专业研究生:郭化丽指导教师:陈海鸣摘要:皴法是中国山水画表现山石纹理结构的一种技法,是历代画家通过“外师造化、中得心源”的艺术实践总结提炼出来的一种艺术形式。皴法既是自然界山石的再现又是艺术家自身绘画特点的体现,不同皴法必然表现出不同的地质地貌结构特征,皴法与中国山水画同步发展,各种皴法在山水画中有着非同寻常的技法意义和文化价值。本文主要在地质地貌结构特征和山水画皴法中寻找其结合点,为山水画皴法的形成、发展和完善追溯其科学的理论依据和原始素材。本文重点是四川地质地貌结构特征与山水画皴法的关系研究,通过论证验证了地质地貌结构特征与皴法存在着必然的联系,为作者在四川地质地貌特征下的艺术实践提供了理论指导,进一步促进了山水画的艺术创作。关键词:山水画皴法地质地貌结构特征巴蜀画派 On theRelationship of Cun Techniques inChinese Ink Landscape Painting and Geologic-Physiognomic Structure FineArtsMajor Graduate:Guo Huali Director:Chen Haiming Abstract:Cun technique,a skill used inChinese landscape painting todepict the texture aIld structure ofmounts&stones,is allartisticrepresentation extracted and perfected bygenerations of artiststhrough theirartisticpractice of“learning from nature and expressing one’S mind”.Cun technique istherepresentation ofboth naturalmounts &stones and theartists’own painting features,and different cun techniques exhibit ineVitably different structure synchronously with Chinese landscape painting,various cun techniques have extraordinary artisticmeaning and cultural value. Thispaper searches forthelinkofgeologic-physiognomic structure features and CUll techniques inlandscape painting,tracing back tothe scientifictheoretical foundation and original materials of tuntechniques for reasons ofitsformation,development and paper focuses on the relationship of the geologic-physiognomic smlcture featl】resinSichuan and the CUlltechniques inlandscape painting,proving the positive connection between the two parties through argumentation,thus providing theoretical direction tomy own artisticpractice inview ofthegeologic-physiognomic s仃1lcture features inSichuan andpromoting the reation oflandscape painting· Keywords:landscape painting;cun technique;geologic。physiognomic structure features;Bashu school ofpainting 目次目次摘要????????????..?????????I ABSTRACT.???????????????????.工工I 目次 1引言???.?????.????????????.1