黑非洲面具造型元素在立体主义雕塑中的运用.pdf

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目 录
摘要
引言·················································1
第一章 黑非洲历史文化及立体主义艺术元素概述·······2
黑非洲面具产生的背景环境概述·················2
立体主义艺术元素概述·························3
第二章 黑非洲面具雕刻的表现形式分析················5
平面面具·····································5
浮雕式面具···································7
局部抽象面具·····························8
整体抽象面具·····························9
立体面具·····································9
第三章 黑非洲面具中的立体主义造型元素体现·········11
反理性的主观意象表达·························11
反***比例的夸张变异·························13
概括的几何构成·······························14
第四章 结论·········································17
参考文献············································19
致谢················································20
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中文摘要
本文通过文献、实证、记载等研究方法，结合黑非洲面具的背景文化，对面
具雕刻的造型形式、语言风格进行归类剖析，在剖析的基础上结合立体主义艺术
作品加以解读，以证实黑非洲面具中的元素是立体主义雕塑的思想源泉。立体主
义艺术家在创作中借鉴了吸收了黑非洲艺术的语言特点，为什么黑非洲面具艺术
能给立体主义的风格形成造成影响，黑非洲面具本身艺术语言特点，拥有与西方
传统艺术的规则完全不同的表达形式，这便是本文的主要论点。论文的第一章先
对黑非洲历史文化做一个简洁地概述，阐明黑非洲面具产生的文化背景，以及立
体主义中的造型元素的溯源。第二章将黑非洲面具从造型语言的角度上进行分类，
以面具表面地刻画深浅为标准，分为平面面具、浮雕式面具、三维立体式面具。
从这三个角度入手，分析黑非洲面具里普遍存在的表现形式。第三章，在立体主
义的背景下，对比黑非洲面具与西方传统艺术准则，证明其成立与立体主义产生
存在着共同性。以立体主义雕塑为实例，证明黑非洲面具元素在立体主义中的实
用。最后结论部分，通过概述，提出论点，结合立体主义雕塑的实例论证，证明
黑非洲面具的造型元素，对立体主义雕塑形式的语言形成的影响。
关键词：黑非洲面具、立体主义、造型语言
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Abstract
This article, through literature, empirical, and documentary research methods,
combined with the background culture of black African masks, categorized and
analyzed the form and language style of mask carving, and interpreted it on the basis
of cubist works of art in order to confirm the masks of black Africans. The element is
the ideological source of cubism sculpture. The cubist artists used the linguistic
characteristics of black African art to draw inspiration from their creation. Why black
African mask ar