鲁西南民歌的音乐风格与演唱特点分析.pdf

摘 要

山东是中国文明发展最早的地区之一，可以追溯到大汶口及石器时代。在春
秋战国时期，齐、鲁、曹和一些其他诸侯国都建立在山东，所以山东又有着齐鲁
大地之称。鲁西南民歌作为山东民歌中的一个重要组成部分，有着独特的魅力和
特点。由于鲁西南是红军革命老区，所以与党有着深厚的情感。
我的家乡地处鲁西南的菏泽市，鲁西南地域偏居齐鲁一隅，山东、江苏、河
南、安徽四省交界处。这里从来不缺名人、不缺演艺创作文化，鲁西南民谣也更
因山西大槐树、老鹳窝移民文化的植入变得更加丰富，也有了更大的发展。在音
乐发展方面更是具有很多民族性的东西，比如成武大鼓，单县唢呐，定陶的牛屯
鼓乐，山东梆子等。在戏曲方面，荷泽戏曲品种繁多，主要剧种有山东梆子，大
平调，柳子戏等 20 多个。在民歌方面也是有众多的素材，如《小五更》、《义和
团》、《包楞调》、《花蛤蟆》、《花开蜜蜂来》等等。
鲁西南民歌的种类比较多，不管是诙谐民歌还是儿歌，很难整理出一个规整
的共同特点。而鲁西南民歌《包楞调》歌词清新别致，想象丰富，堪称是一首精
彩的风景诗，其中衬词的大量运用也是民歌中绝无仅有的。这首歌的曲调也不同
于一般的民歌，其曲调结构，词曲结合，衬词衬腔的运用都别具一格。《花蛤蟆》
是一首荷泽成武儿歌，词曲简单生动，儿歌的曲体结构音乐素材单一，小巧玲珑，
装饰音的出现也大多与语言音调语气有关，反映了鲁西南的孩子们捕捉小动物，
嬉闹的情景。这也是鲁西南人们生活的一种写照。
现代的鲁西南民歌加入了科学的唱法，以及现代和声技术的伴奏，使得鲁西
南民歌更易于被广大人们所接受。鲁西南民歌起到了很好的传承效果。

关键词： 《包楞调》 《花蛤蟆》 音乐风格 演唱特点 分析



I
Abstract
Shandong province is one of the earliest regions in the development of China
Civilization which could be traced back to the dawenkou and the Stone Age. During
the Spring and Autumn period and the Warring states period, qi, lu, cao and other
countries were set up in shandong area, so shandong is known as the land of qilu. Lu
southwest folk songs as an important part of the shandong folk songs have their
unique charm and characteristic. The southwest is the old red revolutionary area,so
there is deep feeling relation between the Communist Party and this area.
My hometown is in heze city which is located in the southwest of China, a corner
of qilu area in shandong and it is at the junction of shandong, jiangsu, henan, and
anhui four provinces. It has never been short of cultural celebrities and performing
arts creation and shandong folk songs became more abundant and developed faster as
the big pagoda tree cultue in shanxi and the old stork nest culture were implanted. In
terms of music, it also has a lot of national things, such as ChengWu drums, on-site to
suona, decides tao NiuTun