试论“悲秋”书写与海子的诗歌创作.doc

本科生毕业设计(论文) 题目: 试论“悲秋”书写与海子的诗歌创作教学单位文学与新闻传播学院___ 姓名喻森蝶________________ 学号 201130403131 ________ 年级 2011 级_____________ 专业对外汉语_____________ 指导教师吴雪丽___ 职称教授___ 2015 年4月 29日目录引言............................................................................................................................... 1 一中国文学中的“悲秋”叙事............................................................................... 1 二“悲秋”与海子的诗歌写作............................................................................... 3 三“悲秋”与海子作为诗人的命运....................................................................... 7 结语............................................................................................................................... 9 参考文献..................................................................................................................... 10 致谢............................................................................................................................. 10 试论“悲秋”书写与海子的诗歌创作摘要:在中国文学史中,感伤文学贯穿其始终,其中,悲秋是自始至终人们从未放弃过的感伤文学叙事母题。秋天是庄稼成熟的时候,也是草木凋零、枯叶摇落的时候,天地间一片萧瑟肃杀。但秋只是一种自然现象,其本身并无悲喜可言。秋是自然的事,悲是社会的事。秋之悲是社会之于秋的人的主观悲感情绪。秋天是四季自然的终极点, 海子在创作诗歌时善于根据终极点巧妙运用终极意象,大大扩大诗歌所表现的境界。秋天的悲伤也正是因为身陷社会无法调和的根本矛盾之中的人站在这个终极点时,面对“该得到的尚未得到、该丧失的早已丧失”的尴尬无奈局面,顿生的悲戚伤感。关键词:悲秋终极点根本矛盾海子 Abstract: Inthe history ofChinese literature, sentimental literature throughout its always where Autumn isthe people never gave upthroughout the sentimental literary narrative motif. Autumn isripe crops, vegetation iswithered, leaves shake off when ableak chill between heaven and earth. But autumn isjust anatural phenomenon, which itself has no resurrection atall. Autumn isanatural thing, grief isasocial thing. Autumn munity ofgrief inthe autumn ofsubjective emotions sadness. Autumn isthe ultimate point ofthe four seasons ofnature, Hazel adept atwriting poetry based onthe clever use ofthe ultimate image ofthe ultimate point, greatly expand the realm ofperformance poetry. Autumn sadness isalso because people caught inirreconcil