摘要
本文章以漳州田坑窑素三彩香盒为研究对象,通过以田坑窑素三彩香盒相关的考古文献资料、发掘报告、实地考察及相关的图片资料为研究基础。藉对漳州田坑窑素三彩香盒的功用、制作工艺、装饰特点等来探寻田坑窑素三彩香盒的装饰艺术特点。田坑窑素三彩香盒兴于明末,衰于清初,在百年的发展历程里,传承宋元时代瓷器装饰的精细、工整的风格,又以其自身丰富的造型,色泽艳丽温雅,既有变化又有统一,写实与装饰巧妙结盒,突破了传统官窑的繁琐严苛的局限,脱去了宫廷器皿富丽极致的外衣,创造了独特的风格。通过对其艺术特点的研究,以期更进一步的了解漳州田坑窑素三彩香盒的独特之美。
关键词:田坑窑素三彩香盒装饰
Abstract
This article by zhangzhou field pit furnace plain tricolour incense box as the research object, through field pit furnace plain tricolour pomander related archaeological documents, the excavation report, the picture of the field survey and related data as the research basis. Through to zhangzhou field pit furnace plain tricolour pomander function, manufacture craft, decorative characteristics to explore field pit furnace plain tricolour pomander decorative arts features. Field pit furnace plain tricolour pomander is popular in the late Ming dynasty, failure Yu Qingchu, in the development process of one hundred years, passing on the song and yuan times fine porcelain decoration, neat style, and with its own rich modelling, colour and lustre is gorgeous wen ya, there are both change and unity, realistic and elegant junction box, breakthrough the limitation of traditional kilns were harsh, take off the court vessel richly acme coat, created a unique style. Through the study of its art characteristics, in order to further understand the zhangzhou field pit furnace plain tricolour pomander's unique beauty.
Key wrods:TanKeng kiln Plain Tri-colored ceramic Box
pomander Decorate
目录
一、漳州田坑窑素三彩香盒时代背景及存世作品
(一)时代背景---------------------------------------------------------------------------1
(二)存世作品---------------------------------------------------------------------------1
二、漳州田坑窑素三彩香盒的制作工艺
(一) 材料-------------------------------------------------------------------------------- 2
(二) 成型工艺------------------------------------------------------------------------- 2
(三) 烧成工艺------------------------------------------------------------------------- 2
三、漳州田坑窑素三彩香盒的功用及器
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