摘 要
本文以“有机形态与自然”为切入点,以当前建筑所面临的“错位”为研究对象,试图在中西方建筑形态的形式流变中,追寻其背后相关的文化现象,以一种历史观剥离其意义, 再把这种意义转换到当代的大背景下,重新定义其在当下提倡多元化和生态化建筑中的非线性。从建筑性的态度审视“人与自然”、“本土与全球”、“保护与发展”等当代课题,尝试为新世纪建筑如何发掘自然的多样性来颠覆全球都市趋同化提供更多新的选择。
通过回顾中西方建筑中有机意象,可以找寻其人类对自然的情结有着千丝万缕的联系。在建筑形态意象中,“方”与“曲”如同一个硬币的两个方面,是唇齿相依、不可割裂,如同文化与自然的平衡一样,任何偏废子一端都会带来问题。同时,曲在时间的嬗变中也渐渐作为一种生生不息的象征、一种人性的符号、带有感性的表情。
本文无意于做仲裁者评论哪类建筑形态的好坏,在建筑形态这个论坛上,从来没有胜利者和失败者,一切形态的存在,都有其自身的价值和意义,都是人类建筑历史长河中闪亮的珍珠。
关键词:有机形态,自然,多义性,边缘性,信息性
Abstract
This article tries to pursue the cultures involved in architectures from the evolutions of architecture forms in and out of China,anic form and nature∞the breakthrough point and taking misplacement of modern architectures as research author separates the meaning of architectures from the perspective of history,transfers the meaning to the contemporary background and redefines the non-linear of contemporary architectures which
advocates pluralism and ecology,111is article reconsiders contemporary subjects like nature and
human being,the native land and dobe,and protection and development,trying to explore the diversity ofnatore to provide more new choices for the architectures ofthe new century in order to
overturn global urban sameness-taxis.
The revieW anic images in western architectures can help find the COIIntleSS ties between nature and human the images ofarchitecture forms,square and curve,like the two sides of one coin,are inseparable and as close as lips and teeth,and like the baiance of culture and nature,the neglect of either side will raise ,in course of evolution curve es a permanent sign ofhumanity and aIl expression ofperception.
The author has no intention of being fill menting on all architecture the forum of architecture forms,there ale no winners or the existing forms have their own values and meanings and are the glittering pearls in the architecture history ofhuman being. Key anic Form,Nature,Diversity,Edge,Informa
与自然对话——对当代建筑设计中有机形态的分析 来自淘豆网www.taodocs.com转载请标明出处.