[绘画方面的资料][画画][美术]毕加索-Picasso's.classical.print.of.the.1930s.0262561557.pdf

myth and metamorphosis
Lisa Florman
the mit press • cambridge, massachusetts • london, england
myth and metamorphosis
Picasso’s Classical Prints of the 1930s
© 2000 Massachusetts Institute of Technology
All rights reserved. No part of this book may be reproduced in any form by any electronic
or mechanical means (including photocopying, recording, or information storage and
retrieval) without permission in writing from the publisher.
This book was set in ian and Engraver’s Gothic by position, Inc., Athens,
ia, and was printed and bound in the United States of America.
Library of Congress Cataloging-in-Publication Data
Florman, Lisa Carol.
Myth and metamorphosis : Picasso’s classical prints of the 1930s / Lisa Florman.
p. cm.
Includes bibliographical references and index.
ISBN 0-262-06213-5 (hc. : alk. paper)
1. Picasso, Pablo, 1881–1973—Criticism and interpretation. 2. Classicism in art. I. Title.
F56 2000
—dc21 00-56220
For David
contents
List of Illustrations viii
Preface xvi
1 In the Background of Picasso’s Classical Prints 2
2 Metamorphic Images: Picasso’s Illustrations of Ovid 14
3 The Structure of the Vollard Suite 70
4 Of Myth and Picasso’s Minotaurs 140
5 The Classical Prints in the Context of Picasso’s Oeuvre 196
Notes 208
Bibliography 244
Index 256
illustrations

All works by Pablo Picasso © 2000 Estate
of Pablo Picasso / Artists Rights Society Picasso, unpublished version of The Death of
×
(ARS), New York. All works by André Orpheus, 1930. Etching, cm.
Masson © 2000 Artists Rights Society Staatsgalerie Stuttgart. 16
(ARS), New York / ADAGP, Paris.

FRONTISPIECE Masson, Furious Suns, 1925. Automatic
×
Picasso, The Minotauromachy (colored proof), drawing, ink, 32 24 cm. Galerie Louise
1935. Etching, × cm. Musée Leiris. 17
Picasso, Paris. © Photo RMN–Gérard Blot.

Engraving of an Etruscan mirror, from
Picasso, Three Women at the Fountain, 1921. O