《聊斋志异》叙事的研究.pdf

摘要摘要本文以蒲松龄《聊斋志异》为对象,对其叙事艺术一一空间叙事理论进行梳理和总结。在研究过程中,参照一系列中国古典长篇小说的空间叙事理论的研究成果,力图用中国的叙事思想对《聊斋志异》进行研究,分析作为文言小说经典的《聊斋志异》的空间叙事结构,以及空间叙事中构建的世界图景,旨在找出《聊斋》空间叙事的完整体系及最终显现的整体图景,这是本文的基本研究思路。本文的论述分为三部分:第一部分先论述《聊斋志异》中的缀段式特征,这是《聊斋》作为文言短篇小说具有空间叙事特征的原点所在,具体分析其与西方线性叙事的区别及其构成原因;第二部分是论述了《聊斋志异》中的空间叙事结构,分别从间架、一线穿、脱卸、夹叙四方面来分析其在短篇小说中常常用的叙事空间结构及其特点,并在此中总结了各个空间叙事的技巧;第三部分是论述空间叙事中的其他问题,主要包括纹理、叙事技巧等问题,补充叙述在结构之外的与空间叙事有联系的叙事方面问题;第四部分是论述了《聊斋志异》空间叙事中所具有的空间意识和时间意识,及其在整体空间叙事中所显现的世界图景。关键词:缀段性;空间叙事;叙事图景 ABS瞰CT Thisthesiscoordinates and summarizes thetheory ofthenarrative artoftheshort story ofclassical Chinese,based on analyzing the case study ofPu Songling、S Liaozhai,During theprocess ofstudying,referring tO aseriesofresearch results of spatial narrative theory on Chinese trying tostudy theLiaozhai、 Spatial Narrative Theory by Chinese narrate anamnesis,analyzing itsnarrative space structural and itsworld picture construction which ing into being spatial narrative,it aims atlooking plete system and finalprospect ofLiaozhai、 spatial narrative which isthebasicanalyzing clueofthisthesis. This thesis contains four the firstpart,the author discusses posing segmentation ofLiaozhai,this isoriginal point ofspatial narrative thatis Liaozhai、features,and analyze specifically the difference between Chinese spatial narrative andWestern linearnarrative,try tOfind theunderlying Causes thesecond part,the author discusses thespace structural ofLiaozhai,analyzes its spatial narrative structural and itscharacter one from the other frame,l i near connecting,abjection,and inserted—narration,summarizes thetechnique of spatial thethirdpart,the author discusses on theanother issueofspatial narrative,mainly including texture,narrative technique,dual aesthetics,additionally discuss onthe other issuewhich isrelated tOthespatial theforthpart,the author discusses spatial consciousness and time consciousness ofLiaozhai、spatial narrative,explores plete system andfinalp