宋徽宗、高宗时期的画院研究.pdf

宋徽宗、高宗时期的画院研究 Research on the Royal Art Academy in the Eras of the Emperor Hui-Zong and Emperor Gao-Zong of the Song Dynasty ???????????????????????????????? 2007 ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ????????????????????????????????????Ч???Ч??????????????????????????????М?? ?????????????Ч??????????????????????????????????????????????????????????????????????????????щ???????????????????????????????????????????????????????????????????ν?????????????????????????????????????????????????????????????????????????????????????????????????????????????с????????????????????????????????????????????????????????????????????????????????? ????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? Abstract In the history of Chinese ancient paintings, emperors of the Song dynasty had ever participated in painting and were in the direct involvement of norms to guide academic painters and paintings’ development in the Royal Art Academy at that time. To begin with, the property of Art Academy is a sort of cultural system, showing for the Art Academy of the scale, structure and operational mechanism, etc., belongs to the "hardware" factors; secondly, it is concerned about another performance of Art Academy---"software" factors which can be divided into two levels. One is the major players of the Art Academy, who went to the Art Academy and engaged in painting activities under the auspices of the emperor; the other is the Art Academy’s Painting style which was formed by the academic painters. As a whole, Art Academy, academic painters, academic paintings work together and are inseparable, reflecting the basic situation of the Song Dynasty painting. This paper focused on the eras