潘玉良绘画艺术创作价值研究.pdf

摘要本文是潘玉良的个案研究,从三个方面来探讨其艺术价值。首先,把潘玉良放在20 世纪初世界油画史、中国油画史及中国近代史的大环境中来衡量她和她作品的地位。明确潘玉良等旅居在国外的20世纪早期的中国油画家是中国最优秀的现代主义艺术家, 他们的成就填补了国内缺少与世界现代主义艺术同期发展的现代主义油画家的空白。其次,从潘玉良的作品入手,分析她作品中的女性意识与她生活经历、感情纷扰的关系, 并指出潘玉良是中国女性艺术家中较早具有女性意识的人物,在当时中国完全没有女性话语的历史背景下产生具有重要意义。最后,论述了潘玉良的“合中西于一冶”的艺术主张的完成、及取得的成就,给今天中国的油画人以很好的示范作用。 20世纪初期的中国油画家有很多被歪曲和模糊的人物,尤其女性艺术家更是处在油画史的边缘,她们的价值没有被国内的艺术工作者充分的挖掘,在近代油画史中也没有得到公正的待遇。我写这篇文章无意于探讨潘玉良的生平事迹,而主要注重她的艺术的价值讨论和在近代油画史中地位的确立。关键词:潘玉良;现代艺术;女性意识;合中西于一冶 Abstract This paper iSPanYuLiang’S individual case from threeaspects itsvalue of must put PanYuLiang intothebig environment ofthehistory oftheearly 20?century world painting,China painting and modem China tovalue herand sure thatPanYuLiang and other Chinese painters who lived overseas in early 20“1century isthebestmodem artistsofChina and theirachievements filiedthevacancy ofthelackofmodem ,from Pan's work,I am toanalyze therelation between female consciousness and herlifeexperience,sensational point out thatPan isthefirstfigure with female consciousness among Chinese woman is very important inChina ofthattime when there was no female lastisthe review ofthemodel function ofPan’Scompletion of artopinion of“integrating Chinese and west intoone”and itsachievement for current painters ofChina. Intheearly 20m century,many among Chinese painters were distorted andmade vague, especially woman artistswere on thebrink ofpainting history,and theirvalue has not been dug outby they did not get thefairtreatment inmodem painting history. MV paper does intend todiscuss Pan’Slifedeeds,but tofocus her artvalue discussion and establishment ofplace inmodem painting history. KeyWords:PanYuLiang;modem art;female consciousness;integrating Chinese and west into one 独创本人郑重声明:所提交的学f说二r:作所取得的成果。据我所知,除了特别加以标注和致谢的地方外,论文中不包含其他人已经发表或撰写过的研究成果。对本人的研究做出重要贡献的个人和集体,均已在文中作了明确的说明。本声明的法律结果由本人承担。学位论文作者签名;缢嗍≥码oc》。S。学位论