论古典山水画中寒林图式的建立.pdf

论古典山水画中寒林图式的建立
论文题目:论古典山水画中寒林图式的建立
专业:美术学
硕士生:辛国华
指导教师:李才根教授

摘要

古典山水画中的寒林图式,是伴随着山水画的发展而变化,是构成中国山水画图式
的基本特点之一。古典山水画中的寒林图式,这种独特的题材,在山水画的创作中,呈
现出独特的面貌,传达出的是萧条淡泊,冷寒、苍古之趣,一味追求古雅、清劲的画风,
而在画面中则呈现出清寂之美。
在中国古典山水画中,常常能看到寒林题材的作品。寒林之景,呈现的是一种孤独
与凄清的气氛,表现的是那种荒寒冷寂的境界。这种境界,可以说是在一定程度上代表
着中国画的最高境界。古今往来,文人墨客通过描绘寒林的表达方式,增添了许多涵义
悠远的文化意境,秋天的疏木,冬天的枯槎,春天的老芽初发,都笼上一层寒意。
寒林图式有其独特的面貌和韵味,因而成为山水画创作的一种倾向。在寒林题材作
品中,画面大多取深深的崖谷、黝黑的山林、萧瑟的旷野、兀立的孤雁。寒林图式发展
到两宋时期已经成熟,形成了以北方画派为主的,具有浓厚的地域特点,这一时期的寒
林图式普遍是倾向实景的。从五代向清代的转变中,同时也把笔墨技法走向了极致,更
加注重“丁香”、“蟹爪”、“火焰”、“拖枝”,这些符号化技法的发展,从而寒林图式呈
现出多样化的特征。本文正是在这些研究的基础上,进一步梳理古典山水画中寒林图式
的发展线索。





关键词:寒林雪景荒寒点景

研究类型:理论研究
I
论古典山水画中寒林图式的建立
Subject: on the classical landscape painting in the taiga schema
establishment
Specialty: Fine Arts College
Name: Guohua Xin
Instructor: Caigen Li Professor

ABSTRACT
Classical landscape painting taiga schema, is panied by the development of
landscape painting and Chinese landscape position change, is one of the basic
characteristics of schema. Classical landscape painting taiga schema, this unique theme, in
landscape painting, a unique look, conveys the depression is indifferent, cold, pale ancient
charm, pursue the quaint, fresh style, and on the screen shows the beauty of the lonely.
In Chinese classical landscape painting, often can see the forest theme works. In Lin
Zhijing, there is a lonely and desolate atmosphere, performance is that cold cold state. This
kind of state, can be said to be in a certain extent represents the highest level of Chinese
painting. Smallest, men of literature and writing by depicting the taiga expression way, added
a lot of meaning Youyuan Cultural Conception, autumn and winter dry wood, Croucher,
spring old bud early, all cage on a chill.
Taiga schema has its unique features and charm, and e a tendency of landscape
painting creation. In the winter forest theme works, mostly from the deep valley, screen dark
forest, wil