油画材质的拓展与作品语言的精神表现.pdf

重庆大学
硕士学位论文
油画材质的拓展与作品语言的精神表现
姓名:王蕾
申请学位级别:硕士
专业:美术学
指导教师:高小华
20050401
重庆大学硕士学位论文中文摘要
摘要
绘画艺术的载体无疑就是绘画所使用的材料无论一个人对绘画创作感受从
哪里来事实上就是用这些材料进行创作的过程绘画语言的三个基本点造型
色彩材料其中造型和色彩两方面艺术家较早就进行了比较全面的探索与实践
并让社会接受与肯定在创作中造型语言和色彩语言的审美价值的实现材料作
为载体在其中扮演着重要角色并贯穿于传统艺术与现代艺术之中从艺术语言
的本体规律入手借鉴和学习绘画作品中那些不为我们所知极具艺术表现和审美
价值的人文精神所以我们可以说艺术创作的过程是精神变物质的过程
物质与精神同时存在于不可分割的一个艺术整体精神穿透材料面存在材料才
具有生命力创造力本文基于对油画材料从传统的坦培拉材料技术到现代的
油画材料拓展的过程分析评述中国与西方艺术对油画新综合材料的探索以及
他们是怎样用新的材料在一定时间和空间中创作不同语言风格的艺术作品充
分体现了特定时代的艺术精神本质特定地域的民族素质风采
关键词材质与精神材质的萌芽材质的发展与拓展作品语言探索
人文精神再现
I
重庆大学硕士学位论文英文摘要
ABSTRACT
The carrier of the graphics art is undoubtedly a material used in painting, where to
come no matter a person creates and experiences painting, in fact carry on the course of
creation with these materials . Three basic points of the painting language: Model ,
color , material, model and color two respect artist among them carry on overall
exploration and practise for a long time, let the society accept and
of the model language and aesthetic value of the color language in creating, the material
plays an important role among them as the carrier, run through in traditional art and
modern art. Proceed with noumenonn law of the artistic language, draw lessons from
and study those humane spirit known to have artistic expression and aesthetic value
very much by us in the painting works. So, we can say the artistic course of creation is
that the spirit is " turned into " the course of the material . The material and spirit exist
in whole an inalienable art at the same time . Exist piercing through the material in
spirit , the material has vitality, creativity. This text, because of from banking up
traditionally with earth drawing material technology to the canvas material. The course
that the modern canvas material expands arrives , analyse ment China and
exploration of the prehensive material of canvas of western art, and how they
are use the new