水彩与水墨——中西异源绘画的比较与融合研究.pdf

天津美术学院
硕士学位论文
水彩与水墨——中西异源绘画的比较与融合研究
姓名:刘嘉娜
申请学位级别:硕士
专业:美术学
指导教师:陈九如
20090301
内容摘要:
近年来我国的水彩艺术虽然取得了较大的发展,但和其它画种相比较,仍处于一种“边
缘化”的境况。水彩画是特色独具且大有潜力的绘画门类,但对其艺术规律的研究、表现语
言的开掘却少有作为,水彩画的面貌还大多固定于某种样式内。
众所周知,西洋画重写实,中国画重写意。水彩画作为西方的传统绘画,既有深入刻画
具体形象的写实功能,又与中国水墨画在审美趣味、笔意气韵方面有着异曲同工之妙。中国
水彩画家在借鉴西方传统的同时,应该运用东方艺术传统中的精髓,创作具有民族特色的作
品,使外来文化艺术符合中国的传统心理习惯和审美取向。中国水彩画的历史,是融会中西
绘画美学的历史,我们要研究中、西绘画两个方面的优秀传统,取中、西绘画之精华使其有
机融合,赋予水彩画更为鲜明的中华个性。
本文通过对水墨画和水彩画之间在成长历史、绘画材料、演进环境以及东西方审美思想
的比较,在探索水彩艺术魅力的同时,对中国水彩画现状进行重新思考。基于对东西方文化
在“水韵”异同上的进一步认识,为这一非常适合在东方发展的画种探寻其适宜的位置。

关键词:水彩;水墨;审美观念;绘画材料;融合
Watercolor and Chinese Ink
——parison and amalgamation of China-western paintings
Liu-Jia Na (the fine arts)
Directed by Chen-Jiu Ru

Abstract:In our country,water color art has obtained rapid development in recent years. But
comparing with other Pictures,it was still non-mainstream art. Water color has its own features
and is very promising, but the study on its art rule and the dig of its exhibition language are rare at
present. The visage of most Water color was moored to some mode.
As we all know, western pictures prefer to paint realistically while Chinese painting pay more
attention to impression. As one of the traditional kind of western pictures, Water color can
describe real thing deeply, and in the mean time it was analogous with Chinese ink in the field of
taste and lingering charm. Excepting for using western tradition for reference, Chinese water color
artists should also indite national opus based on the distillation of eastern art. This method could
make foreign-origin art suit to Chinese mentality and taste tropism. The history of China’s water
color can be regarded as the history of the amalgamation of Sino-western paints. So we should
study the excellent tradition from both Chinese and western pictures, distill bine their soul,
then put more brilliant Chinese character on water color.
Through parison of history, material, enviro