古磁州境内宋元时期磁州窑系瓷器绘画研究.pdf

南京航空航天大学
硕士学位论文
古磁州境内宋元时期磁州窑系瓷器绘画研究
姓名:许婷婷
申请学位级别:硕士
专业:美术学
指导教师:郑奇
20070301
南京航空航天大学硕士学位论文
摘要
本文立足于磁州窑瓷器绘画艺术在审美形态上的发展变化,对磁州窑白地黑
绘瓷器的分期、品种、纹饰、以及与中国传统绘画、书法的相互关系作了探讨性
研究。文章从磁州窑系瓷器绘画、书法的总体特征入手,分析了磁州窑白地黑彩
瓷器在宋、金、元经济、文化的作用下,在中国传统书画意韵形式渗透的影响中,
所形成的独特风格面貌及其原因。文章对磁州窑瓷器书画的瓷绘装饰方法、装饰
语言、装饰风格进行了探讨,其中特别指出了磁州窑瓷器绘画装饰源于民间瓷工
的“以书入画”式的这一重要的创作风格的形成,是既有文人绘画潮流的影响,
也有民间创作性质的定位,更有繁荣的商业生产的需求。在此文化背景下,磁州
窑瓷器绘画形成了一种自由与范式相结合的装饰模式,该模式对后世青花瓷器装
饰具有一定的影响。文章还阐述了磁州窑瓷绘装饰于瓷器艺术的鉴赏方面之积极
意义;在传统书画方面的美术史意义,从而启发我们从新的角度对中国传统绘画
作更进一步的认识。
关键词:磁州窑,瓷器绘画,瓷器书法,白地黑绘,以书入画,品鉴
















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古磁州境内宋元时期磁州窑系瓷器绘画研究
ABSTRACT
This thesis focuses on the development of the taste modality of porcelain
painting art in Ci Zhou kiln and discusses the stages, varieties, and veins
decorations of black -drawing on white-embryo porcelain of Ci Zhou kiln and its
relationship with Chinese traditional painting and calligraphy. Starting with the
general characteristics of the painting and calligraphy of Ci Zhou kiln, this thesis
further analyzes the unique style of colored-drawing on white-embryo porcelain of
Ci Zhou kiln, and the reasons of its formation, which are not only influenced by
appeal and modality infiltration of Chinese traditional painting and calligraphy, but
also affected by the economy and culture of Song, Jin and Yuan Dynasty. The
decoration methods, expressions, and styles of porcelain painting and calligraphy of
Ci Zhou kiln are also discussed in this thesis. What is especially pointed out is that
an important creation style in porcelain painting decoration of Ci Zhou Kiln
originates from the amalgamation of painting and calligraphy taken by civilian
porcelain maker. The formation of this kind of creation style is a result of the
influence of literati painting tide, the orientation of the nature of folk creating, as
well as the requirements of the mercial manufacture. In the
consideration of this thesis, a model of