扬州画派与京江画派形成原因比较研究.pdf

天津美术学院
硕士学位论文
李可染绘画中的笔墨精神
姓名:王烨
申请学位级别:硕士
专业:美术学
指导教师:王振德
20080401
摘要
李可染是二十世纪最重要的画家之一,他的绘画笔墨可称之为二十世纪中国绘画史的一
座丰碑。更重要的是,他的笔墨实践对中国传统绘画向现代形态转换,有着重要的启示意义。
本文从李可染的笔墨在其绘画中的作用、成因以及演化进行分析研究,探讨李可染的笔
墨精神。李可染无论是对笔墨的理论建构还是实践操作,其主动性指向是明确的。李可染深
入学习“传统”与“自然”,深入时代和生活,带着对中国画的独到洞见,努力寻找书法用
笔与绘画之间的契合点,赋予传统资源以新功能,赋予传统笔墨以新面貌。他在书法与绘画
之间探究着笔墨的平衡点,使来自于视觉的真实感受成为调动笔墨的重要因素,完成了从传
统内部破解中国画现代发展的难题。
李可染为中国画更新笔墨语言的同时,努力探索笔墨和西画在超越具体形态上的契合之
处,把中国画纳入世界艺术发展总体格局中来考虑。随着时间的推移,其笔墨精神的影响效
应逐渐显示出来,这对以传统为根抵,以自然为对象,以生活为源泉,以书法为方式的现当
代中国画家的发展有重要的借鉴意义。


关键词:中国画山水画书法用笔墨法笔墨精神














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The Brush-ink Spirit in Li Keran's Painting
Wang Ye Aesthetics
Directed by Wang Zhende
Abstract:
Li Keran is important for one of painter in twenty century. His life bestride main phase in
the twenty centuries. His Brush-ink of painting is a monument of Chinese History of Art in the
20century. What's more, his artistic practice makes great What's more, his writing practice
makes great significance to the traditional Chinese painting when it turns to the modern form.
The dissertation discuss Li Keran’s pen and ink spirit by analyzing and investigating the his
Brush-ink Spirit effect、cause and different phase evolvement in his wash. The active direction of
the principle is quite definite whether in theory or in practice. Li Keran studies hard ‘tradition’and
‘nature’ knowledge, draws pabulum from epoch and life. With profound traditional culture details
and original view of calligraphy, Li Keran manages to integrate painting with penmanship. In this
wad, he endues traditional sources with new abilities, endues traditional Brush-ink with new
features. Which makes true feeling turn into the main factor of mobilizing the brush and ink from
visual experience. In another word, Li Keran solves the problem of the modem development of
traditional Chinese Painting inside tradition.
Li Keran not only find new pen and ink language for Chin