Perception and Interpretation of Vocal Music Constructs of Social Groups.pdf

Perception and Interpretation of Vocal Music: Constructs of Social Groups
Author(s): Devorah Kalekin-Fishman, Hanan Bruen, Miriam Ben-Peretz
Source: International Review of the Aesthetics and Sociology of Music, Vol. 17, No. 1 (Jun.,
1986), pp. 53-72
Published by: Croatian Musicological Society
Stable URL: ble/836623
Accessed: 27/03/2009 16:25
Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at
e/info/about/policies/. JSTOR's Terms and Conditions of Use provides, in part, that unless
you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you
may use content in the JSTOR archive only for your personal, mercial use.
Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at
ion/showPublisher?publisherCode=croat.
Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed
page of such transmission.
JSTOR is a not-for-anization founded in 1995 to build trusted digital archives for scholarship. We work with the
munity to preserve their work and the materials they rely upon, and to build mon research platform that
promotes the discovery and use of these resources. For more information about JSTOR, please contact ******@.
Croatian Musicological Society is collaborating with JSTOR to digitize, preserve and extend access to
International Review of the Aesthetics and Sociology of Music.
KALEKIN-FISHMAN, BRUEN, BEN-PERETZ, PERCEPTION..., IRASM 17 (1986), 1, 53-72 53
PERCEPTION AND INTERPRETATION OF
VOCAL MUSIC: CONSTRUCTS OF SOCIAL
GROUPS*
DEVORAH KALEKIN-FISHMAN, HANAN UDC: :784
Conference Paper
BRUEN, MIRIAM BEN-PERETZ Referat
Received: November 15, 1985
Prispjelo: 15. studenog 1985.
University of Haifa, Israel Accepted: April 7, 1986
Prihvadeno: 7. travnja 1986.