筝乐流派之比较地研究.pdf

独创性声明本人声明所呈交的学位论文是本人在导师指导下进行的研究工作及取得的研究成果。据我所知,除了文中特别加以标注和致谢的地方外, 论文中不包含其他人已经发表或撰写过的研究成果,也不包含为获得或其他教育机构的学位或证书而使用过的材料。与我一同工作的同志对本研究所做的任何贡献均已在论文中作了明确的说明并表示谢意。学位论文作者签名: 签字日期: 年月日学位论文版权使用授权书本学位论文作者完全了解江西师范大学研究生院有关保留、使用学位论文的规定,有权保留并向国家有关部门或机构送交论文的复印件和磁盘,允许论文被查阅和借阅。本人授权江西师范大学研究生院可以将学位论文的全部或部分内容编入有关数据库进行检索,可以采用影印、缩印或扫描等复制手段保存、汇编学位论文。(保密的学位论文在解密后适用本授权书) 学位论文作者签名: 导师签名: 签字日期: 年月日签字日期: 年月日 I 摘要目前,我国对于传统筝乐的研究主要集中在筝乐流派简单介绍、古筝流派形成因素的初探及古筝的主要流派与风格特征中的概括性比较,并没有系统深入地对筝乐流派之间的相互借鉴、互相影响、同宗同源作进一步的探索研究。即使有少量的文章从比较分析的角度出发,也只是对其中个别流派的描述性比较,仍然缺少一些具体深入论述的研究成果。因此,本文试图尝试在查阅、收集相关资料的基础上分别对河南派、山东派、潮州派、客家派、浙江派五大传统流派从演奏技巧、代表乐曲的结构和音乐风格进行系统的比较分析和研究。结合其社会性、师承性、地域性和时代性等特点,使人们对于筝乐艺术的形成因素和发展至今的艺术魅力有更深刻的了解。关键词: 筝乐流派;比较;研究 II Abstract Currently, the our country mainly concentrates to the research that the traditional Zheng enjoys in the Zheng joy to flow the mainly flowing of the preliminary study and GuZhen parties and style characteristic that theparties simple introduction, GuZhen flows a parties formation factor in of pare, have no systematic thorough ground flow an of parties to the Zheng joy of draw lessons from mutually, the mutual influence, of the same clan and source make a further quest little amount article if ever set out from more analytical angle, as to it's also just win separately flow the description of parison, still keep being in need of some researches achievements that concretely go deep into , this text passes to collect a great deal of related data and try to try to send five greatest traditions to flow to the Henan parties, Shandong parties and Chao-chou parties, Hakka parties and Zhejiang at this foundation top parties fromgive musical performance a skill and represent structure and music style of melody to carry on system more analysis and bine its society, teacher to accept characteristicses such as sex, region and ages etc., make people enjoy formation factorand development of art to the Zheng the art magic power up to now have deepe