论中国人物画中“线”的魅力.pdf

摘线是中国绘画最基本的表现手段, 面雪之也是中国绘画的骨架和支点。本文的创作初衷主要是因为当今画坛传统的线型绘画创作日渐衰弱,并由此现象引发了一定的思考,重新唏视了线在中国绘画尤其是中国人物画发展中的重要作用。本文主要是从两个大的方面进行了论述: 一、中国人物画中的线条艺术从最初的原始社会开始一直发展到现今,是有一个漫长的演变过程的。第一大方面就通过线在各个时期的历史表现来展现线条的独特魅力。从顾恺之、吴道子到陈洪绶、任伯年,从最初线条的简单表达到最后的求新求奇的表现,充分的展现了几千年来线的发展历史,借此说明线在中国人物画发展中的作用。二、中国绘画中的线之所以具有独特的魅力,主要就在于它的传神达意。线条本身具有了一种情感的表达。即所谓的“有意味的形式"。第二大方面就着重于论述中国人物画中线的这种艺术表现力。一个是“线"的情感性。也就是我们常说的要传神,要气韵生动。另外就是“线”的多样性,主要是人物画中十八描的不同艺术表现特色。本文通过不同时代画家作品的分析,并结合图象的解读,力图能全面的展现出中国人物画中线条的发展历史。也希望借此能让更多的人来进一步的关注线这一中国传统文化的独特魅力。关键词:线;历史表现;艺术表现;情感;传神;气韵生动 Abstract. China painting lineisthemost basic means totheperformance ofChina,as well as painting and thefulcrum thispaper,the creative mind mainly because ofthecontemporary painting,the traditional linear Painting increasingly weak,and thatcaused a certain phenomenon inthethinking of re-shen,as alineinChinese painting and particularly China,figure painting inthe development of an important paper mainly from twomajor aspects are discussed: First,the Chinese figure painting inthe linesof artfrom theoriginalprimitive society has been developed tostarttoday,there is alongprocess theadoption ofthe firstmajor aspects ofthevarious periods inthehistory of performance lines show theunique Gu Kaizhi,Tundaozi toChen Hongshou,Ren Bonian,from the initiallinesofthesimple expression tothe final novelty seeking surprisingperformance,fully demonstrates thethousands ofyears ofhistory ofthedevelopment in China tothelineFigure Painting development. Second,China isdrawing the linein a unique charm,and itismainly on adapting toconvey linehas itsown emotional SO—called”in theform ofmean.”The second focused on themajor aspects of Chinese figurepainting inthemiddle on isthe”line” iswhat we often say isthe”line” diversity,is depicted infigure painting in 8 different artsperformance characteristics. Inthispaper,the works ofdi