A+Study+on+Image+Transference+of+Poetry+Translation+from+Perspective+of+Palmers+Cultural+Linguistics——Taking+the+English+Translations+of+Some+Classical+Chinese+Poetry+for+Examples.pdf

辽宁师范大学
硕士学位论文
A Study on Image Transference of Poetry Translation
from Perspective of Palmer's Cultural
Linguistics——Taking the English Translations of Some
Classical Chinese Poetry for Examples
姓名:张焕新
申请学位级别:硕士
专业:英语语言文学
指导教师:@
20100301
摘要
在中国,诗歌英译已有百年以上的历史,诗歌翻译研究者们主要从语言学途
径,文化途径和诗学途径三种途径对诗歌翻译进行了研究。本文立足帕尔莫文化
语言学理论,结合语言和文化因素,对中国诗歌翻译中的意象图式转换进行研究。
帕尔莫在其著作《文化语言学理论》(Toward a Theory of Cultural Linguistics)
中认真研究了语言人类学的波厄斯派语言学、人类语义学及言语人类学,结合认
知语言学的相关学说,提出了文化语言学(cultural linguistics)这一研究语言的新学
说,并为语言研究开辟了新的方向。根据帕尔莫得理论,意象包括人们从各种感
觉器官所获得的具体意象,还包含更抽象的并与具体意象相关的认知概念。意象
的理论是文化语言学的根本所在。文化语言学的研究内容就是通过对相关意象的
分析来研究人们使用和理解语言的方式。文化语言学理论还指出,语言符号的排
列以意象为基础,而文化则是决定意象的因素,这种语言符号排列的最终形式就
是语言。因此,文化语言学所阐释的核心就是语言、意象和文化之间的相关性。
本文以帕尔莫文化语言学理论为基础,以中国古典诗词的诸多英译为蓝本,
以许渊冲教授等多位译者的译文为研究对象,对中国诗词翻译的意象转换的原则
和策略在中国诗词中的应用进行了系统的研究。研究证实语义对等和意象审美功
能对等的原则对中国诗歌翻译的意象转换起到非常重要的作用,同时要充分考虑
译入语文化的接受程度,以实现传播中国文化的目的。
关键词:文化语言学,诗歌翻译,意象图式
VI
A Study on Image Transference of Poetry Translation from Perspective of Palmer’s Cultural
Linguistics---- Taking the English Translations of Some Classical Chinese Poetry for Examples

Abstract
In China, poetry translation already has hundreds of years’ history, during which
translation researchers have advanced theories from three approaches----linguistic
approach, cultural approach and poetic approach. On the basis of Palmer’s cultural
linguistics, with bination of language and culture, this dissertation focuses on
image transference of poetry translation.
Palmer, in his book of Toward a Theory of Cultural Linguistics, created a new
theory---cultural linguistics which is a new way to study languages, by studying three
traditional approaches (Boasian linguistics, Ethnosemantics, and the ethnography of
speaking), bining the cognitive linguistics.
According to this theory, images refer to those we get from all our perceptual
organs and the abstract cognitive concepts which are relative to images. The theory of