浅谈文人画综述.doc

浅谈文人画综述.doc吉首大学本科毕业生论文
本科生毕业论文
题目名称 浅谈文人画的审美品格
学生姓名
邱鹏
学号
20094152059
学
院
美术学院
专业年级
美术教育
2009 级
指导教师
田爱华
职称
副教授
完成时间
2013
年 3月 28日
吉首大学教务处制
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吉首大学本科毕业生论文
目录
提
要
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关键词
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一、
文人画的概述及发展· ·······································4
（一）文人画的形成背景· ·······································4
（二）文人画的历史发展背景· ···································5
（三）文人画的代表人物及艺术主张· ·····························6
二、 文人画的基本特征··········································7（一）修养深厚················································7
（二）言之有物················································8
（三）格调高雅················································9
三、 文人画的基本审美品格· ····································10 （一）书卷与艺术的融合——文· ································10
（二）艺成而下 道成而上——真································11（三 ) 画风之品格——清······································12
（四）诗 书 画 印 的结合——化·······························13
四、总结·······················································14
参考文献 ······················································16 致谢···························································17
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吉首大学本科毕业生论文
浅谈文人画的审美品格
【内容提要】文人画，亦称“士夫画” ，是中国绘画史上最大的一个画派。泛
指中国封建社会中文人、士大夫的绘画，以别于民间和宫廷画院的绘画。由北
宋·苏轼提出“士夫画”明·董其昌称道“文人之画” ，以唐·王维为其创始者，
并且为南宗之祖。“文人画”的作者，一般回避社会现实，多取材于山水、花鸟、
竹木，以发抒“性灵”或者个人精神， 其间有对民族压迫或腐朽政治的愤懑之情。
文人画家标举“士气”、 “逸品”，讲求笔墨情趣，脱略形似，强调神韵，并重视
文学修养，这些都是文人画的独特审美品格的体现。所以本文从文人画的形成、
发展和文人画的基本特征出发来加以说明文人画的基本审美品格。
【关键词】文人画；审美品格 ；人品
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