关于中国画中石头的研究.pdf

摘要摘要在巾国画的创作r卜,石头是不可或缺的题材。石头以它朴实、坚定、智慧与力量并存的独特魅力,深受历代画家的喜爱。而且石头没有I j定的形状,就像苏轼所说的“山石竹木,虽无常形而有常理”,所以石头创作考:现起来相对比较自由,最有利于表现画家的笔墨和意境。本文主要从巾国山水画和花鸟画两个角度来对各家各沈画石的风格神韵及影响进行探寻和分析。在山水画巾,山石是重要的主体结构::一,也是画面的气势、分量所在,所以对石头的表现应该是对这利-远景、大势6】把握。我这里是以画风的演变为主线,通过分析历代具有代表性的山水画中的j i头的特点,来论述社会背景和画家精神对石头表现的影响。而要表现花鸟画中e j石头,是对近景物象的描绘,与山水画还是大不相同的,这里我对任伯年、吴{;硕、潘天寿三位大师作品巾的石头进行了研究,来体现他们各自独特的个人风{}和精神魅力。总结以上的创作规律,来对我今后的创作学****有所借鉴。关键词:石头时代精神人文色彩 Abstract Abstract Stone is an indispensable subj ectInChinese !its unique charm of simple,sturdy,wisdom andstrength,stone isalways thefa、oriteby painters at considering there’S no fixedshape for stores,painting them parably are most conducive for thepainters toshow theirpainting skillsand convey onception. Thisarticlemainly seeks andanalyzes thestone—painting Syle andinfluence of various painting factionsfromtwo aspects:the Chinese landscap,painting and flower and bird landscape painting,stone is an import{nt part ofthe main structure,and alsoreflecting themomentum ponent 0’the picture,thus it should be painted on a distant view with grasping the whc ,I'm consulting tothepanting style evolution astheaxis,by analyzi lg therepresentative landscape stone characteristics toexpound theimpact bringinl:by differentsocial background andpainters’ thecontrary,to show flower and birdpainting on stone,the close-range images depicted isneeded,which istq·tally different from landscape didlotsofresearch on the stones appearec inRen Bonian,Wu Changshuo and PanTianshou’S(three well-known painting mas ers inChina)works. They allreflectthe artists’unique personality and spirit up the above lawofcreation can surely beused as areference tomy futa recreativelearning. Keyword:Stone,The spirit ofthetimes,Humanism 第‘章绪论第一章绪论巾国的石文化源远流长,孔夫了有云“仁者乐山,智名乐水”,“乐山”除了有壮游河山之解,后代官宦文人巾的玩石、赏石者都把它琏:解为好石之意。明代赏石理论家林有麟在《素园石谱》rfl有记:石尤近于禅。生禅和赏石都强调以静心去领悟石中的无限天地。宋代郭熙在《林泉高致集》巾写道:“石者,天地之骨也,骨贵坚深而不浅露”。石,本质坚硬、